
Well, he was born in 1921, and he was the younger brother of Nicanor, Hilda, Violeta and Lalo. And, like Violeta, he had to leave home for to work singing in the Mercado de Chillán when he was a child. I remember an anecdote about he and his brother Lalo (they always were closer) when they joined to a Circus, it broke and they had to return to home without food and money. They arrived to the police, and they question them if they know to sign, and they sang a cueca. All the people were very impressed, then, they come back home in train... This is really nice, because there are the beginnings of the kind of life of these two brothers.
Almost all the people know him by “La negra Ester”, his theatre’s play, inspired in his romance with a “lady” in Valparaíso. But I think that his music is really important. He created the “jazz guachaca”, a mixture of the jazz and the chilean folklore. In this point, is very relevant his legacy to the rock in the 90’. Why? He is in the base of Los Tres’s music.
I think that he was a person that did his life like he wanted. I mean, he left the common life in family, with children, work... He worked when he wanted to eat, or something like that, and he used almost all his time with his music and poetry. I think that I would ask him about all the stories that he lives, in the street, in the field, in the harbor, in the brothel....
I remember that a written said that when he knew Nicanor’s poetry, was amazing. But he changed him by Violeta, when he knew her. And then, he definitely chose Roberto Parra.



